“Europe is a master of criticism. If it doesn’t criticize, it disappears. What it fears most is nonexistence. I tried to criticize it, too, because it demanded this from me, but I wasn’t able. At most, I could repeat its self-criticism.”[1] These sentences by the Japanese author Yoko Tawada occurred to me when I read some of the blog texts. Yoko Tawada is referring to Europe, but she really means Germany, the country she has lived in for so long.

Following a three-year renovation period, the former Ethnological Museum in Hofburg/Vienna was recently reopened as the Vienna Weltmuseum (VWM). Responsible for content development and the presentation of the exhibits was the same museum exhibition design firm, Ralph Appelbaum Associates, which previously designed the Canadian National Museum of Human Rights in Winnipeg and the National Museum of African American History and Culture opened by Barack Obama in Washington DC, and which is also currently preparing the Humboldt Forum in Berlin. Therefore, Vienna can be considered a test run for the major project in Berlin, which is also housed in a palace. At the Vienna Weltmuseum, we are able to paradigmatically study the state-of-the-art of ethnographic-scenographic exhibitions in the second decade of the 21st century, as well as the new role of contemporary art in historical museums, the latter of which I gave special attention to during my visit.

A Pacific Presences Workshop meeting at Cambridge in July of this year revealed an estimated 250,000 Oceanic artifacts available in numerous German Völkerkunde museums. The astonishment behind this number is twofold: 1. Most of these objects were collected during a relatively short time (roughly between the years of 1870 to 1914). 2. Comparatively speaking German museums house more Oceanic artifacts than France (65,000), The Netherlands (80,000) and Russia (10,000) combined (Buschmann, forthcoming). Assuming that similar numbers also emerge from the rich African collections in the same museums, one can easily grasp the multiple controversies surrounding the Humboldt Forum and related Völkerkunde museums highlighted in this fascinating blog space. The focus of this blog – the novel rethinking of ethnographic collection – should, however, engage “newer” as well as “older” considerations.